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#11
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Thank you. This is a fantastic response. It’s exactly why I haven’t made the switch yet but I also know at some point it’s inevitable. I also love the eq and comp sections in the d command. Thanks again for this.
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#12
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You might want to consider changing your username to something other than your email address.
Secondly. To compare Avid Dock and S1 to a D-Command is like comparing a Mercedes to a Suburu. They can both drive but the comfort levels will be drastically different. When the D-Command was new it cost $40,0000. A comparable console today would be S6 or S4. While the Dock and S1 can certainly get the job done very effectively and efficiently, they’re not going to have the same quality faders and knobs as the S6 or S1. The learning curve can be a bit steep for die hard D-Command lovers but once you commit to the surface you never look back. I made the leap from a D-Command to S6 years ago and have never looked back. When I recently went back to a D-Control temporarily, I hated it. |
#13
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I agree completely. The S1/Dock are built to a price point and pro quality faders would likely double the price. But the OP asked a specific question and I stand by my answer. I'm not suggesting that they are not powerful tools or worth what they cost, but anyone moving from Icon to Dock/S1 is going to instantly notice the difference and therefore it's worth pointing out. |
#14
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Perhaps a Softube Console 1 would be a useful add-on for you?
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http://www.richbreen.com ---------------------------------------- Mac Studio / Ventura, PT 2023.6.HDX, Avid HD I/Os and Metric Halo ULN8, 3xS1/Dock Also running a Mac Studio / Monterey / HDX / MTRX / S6 |
#15
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I’ve been very tempted! If they managed to get third-party developers to properly map their products to the platform, they would have a hit. I’m honestly a bit surprised that Avid hasn’t come up with their own dedicated plug-in controller.
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#16
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#17
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Does the Softube Console work with Pro Tools now?
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Mac Studio Ultra / 128 RAM/2TB HD / Avid HDX Chassis / 2 X Sonnet Echo Dual NVMe Thunderbolt Docks w Samsung 970 EVO Plus (6TB) / Avid C24 / Avid 16X16 I/O Analog / Lynx Aurora 16/16 1/O Analog / Dangerous 2 Bus / Benchmark ADC1 www.glasswing.com www.richardsales.com |
#18
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I sold my HDN system and chassis, which I had initially used with a cheese grater, and then a few Minis ('12 server, 2018, M1). I was using it with an M1 Studio but switched to Carbon because I could see the writing on the wall for HDN.
Had the Artist Mix and hated it. Now using the UF1 and just ordered a UC1 but SW shipped me another UF1 by mistake and now it's a long weekend. I'll probably go with the UF8 at some point as well. I love the UF1 and even though the SSL surfaces are tied to SSL plugs I use them so much it doesn't matter to me. I like the tight integration over other things.
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Apple M1 Mac Studio (base model) ProTools Carbon w/SSL XLogic MADI-AX Instagram: https://www.instagram.com/sparkletune/ |
#19
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Another opinion to consider:
#1- does your current setup serve your needs? If it does, I'm not sure I would spend a dime(especially the way the studio business is right now). Keep working and keep socking money away for your future(which might not be a studio, you just never know) ![]() #2-Assuming you NEED to be able to do stuff you can't with the current setup, then I think you should try to articulate exactly what those needs are, so you get the best advice ![]() #3-I spent a boatload of money on my Nashville studio and the investment really did not pay itself back properly(though your market might be very different) and I could have saved thousands by not buying stuff I didn't really need. Just being Devil's Advocate ![]()
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HP Z4 workstation, Mbox Studio https://www.facebook.com/search/top/...0sound%20works The better I drink, the more I mix ![]() BTW, my name is Dave, but most people call me.........................Dave |
#20
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